Dorchester Illustraton 2675, Daniel Davenport

Daniel Davenport

Dorchester Illustration 2675

Daniel Davenport (1773-1860) was the sexton and grave digger for the First Parish Church.

Davenport charged $4 to the estate of Elijah Wales for opening and closing the tomb, tolling the bell, providing a horse for the hearse. Wales died on Aug. 17, 1828 and was buried the same day. There is one service he provided that we haven’t figured out. If anyone knows what this means, “ecstray services,” please let us know.

Davenport published at least three editions of The Sexton’s Monitor and Dorchester Cemetery Memorial in 1826, 1837 and 1845. William Davenport, a son of Daniel, was also a sexton.

Inscription is given in Epitaphs From the Old Burying Ground in Dorchester, Massachusetts (Boston Highlands, 1869). Harlow Elliott Woodward was a main contributor to this work. Daniel is said to have written his own epitaph.

This grave was dug and finished in the year 1833,

by Daniel Davenport,

when he had been Sexton

In Dorchester, twenty seven years,

had attended 1135 funerals

and dug 734 graves.

As Sexton, with my spade I learned,

To delve beneath the sod,

Where body to the earth returned,

But spirit to its God.

Years twenty-seven this toil I bore,

And midst deaths oft was spared;

Seven hundred graves and thirty-four

I dug, then mine prepared.

And when, at last, I too must die,

Some else the bell will toil;

As here my mortal relics lie,

May heaven receive my soul.

He died December 24, 1860,

aged 87 years 6 mos. 19 days.

He buried from March 3, 1806

to May 12, 1852

One thousand eight hundred & thirty-seven

Persons.

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Dorchester Illustration 2674, William Wales

William Wales, Dorchester Illustration 2674

 William Wales (1803-1873) was a descendant of Nathaniel Wales, who arrived from England in the 1630s.

Wales started a florist business on his property stretching from Olney Street to Columbia Road. His inventory included large and small plants, flowers and shrubs.

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Dorchester Illustration 2673 Putnam Horse Shoe Nail Company

Putnam Horse Shoe Nail Company

Dorchester Illustration 2673

 Silas S. Putnam Nail Company began the manufacture of curtain fixtures, horse shoe nails and other types of hardware at the end of the Port Norfolk peninsula in 1859. Today’s illustration includes an image of the property and factory in 1872 and another image of the enlarged operations in 1893.

Putnam’s Horse Shoe Nails were adopted for general use by the U.S. Army as the “Government Standard Horse Nail.” In 1860, thirty-three tons of horse shoe nails were manufactured. In 1872, Mr. Putnam’s factory in Neponset used a 200 hundred horsepower Corliss engine to drive his machinery, and the company employed more than 200 employees to make nails. In 1891, nearly ten tons were produced per day by more than 400 employees.

The company lasted at least to the beginning of the 20th century. The automobile had decimated the market for horse shoes. The 1910 Bromley atlas shows the business at this site to be the Magnesia Co. of Massachusetts. This company only lasted a short time. The Lawley Shipyard took over the site about 1910 and produced luxury yachts, converting to the production of naval vessels during the first and second World Wars. Later, Seymour’s Ice Cream was manufactured in one of the buildings.

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Dorchester Illustration 2672, Dorchester Mutual Fire Insurance Co.

Dorchester Mutual Fire Insruance Co.

Dorchester Illustration 2672

 Dorchester Mutual Fire Insurance Co. was incorporated in 1855. By the mid-1860s, the company owned this building pictured in today’s illustration at 7 Woodworth St. in Port Norfolk. At the bottom of today’s illustration, there is an image of a small folding calendar for 1895 issued by the insurance company.

The building, known as Wood’s Block, had been built by Charles Austin Wood in 1860. Wood developed much of Port Norfolk. It was probably designed by architect Luther Briggs who laid out the lots at Port Norfolk. The Boston Landmarks Commission describes it: “The Woodworth Street properties represent four Italianate / Mansard row houses with ornate trimmings which are attached to a high style Italianate business block along Walnut Street.”

Wood used the proceeds from sales of his Dorchester land and buildings in Port Norfolk to build the Hotel Vendome on Commonwealth Avenue in 1870 at a cost of $519,000. He moved into the hotel and became its manager.

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Dorchester Illustration 2671 Stearns Lumber Company

Stearns Lumber Company

Dorchester Illustration 2671

 

This image from the 1910 atlas, shows that the Laban Pratt’s Lumber Company extended on both sides of the train tracks at the Neponset River, but Albert Thomas Stearns Lumber Company to the east (outlined in red) dwarfed Pratt’s operations.

Stearns started in the lumber trade in 1843, in Waltham at Butrick’s lumberyard, moved from there in 1849 to Neponset. In the 1850s, two wharfs and several boat slips flanked the railroad tracks at their point of entry to Port Norfolk. According to the Taxable Evaluation of the Town of Dorchester for 1869, Taylor Street was lined with the lumber companies of Laban Pratt and Albert T. Stearns.

Pratt’s business was made up of a counting room, stable, “lumber buildings” and two wharfs. All that remains of Pratt’s lumber business are granite block bulk heads and shore retaining walls. Both Pratt and Albert T. Stearns are cited by William Dana Orcutt as being among “the several active businessmen who moved to Dorchester and did much to build up the easterly part of the town.”

There is no longer any remaining physical feature from the Stearns Company with the exception of the circa mid-19th century Greek Revival brick office structure at 98 Taylor St. This structure is labeled “office” on the 1910 atlas. The half dozen Stearns buildings that once stood across Taylor Street have all disappeared although several foundations appear to have survived amidst the underbrush.

In 1871, Stearns was sent a sample of cypress that sat unused for years before he thought to use it to make the door frames and moldings of a new office building. Afterwards, Stearns realized the potential cypress held as a finishing wood; it was inexpensive, more rot-resistant than pine, and came in a variety of rich hues.Until Stearns’ fierce advocacy of cypress, “it was the pariah of the southern swamps; it was the nemesis of the sawmill man; it was the cap-and-bells of the dealers; it was the disgust of the American consumer.”

Stearns was confident in cypress and ardently encouraged its use in projects wherever he was involved. He was so sure of its success that he regularly offered to make gutters from cypress for free, with the promise that he’d replace them with pine if they were not to his customer’s satisfaction. In a few years time, gulf cypress was an A.T. Stearns Lumber Co. speciality. The bald cypress of the southeastern United States is still available and is not considered to be threatened like other cypress trees.

On the morning of Sept. 25, 1884, a fire broke out in the engine room of the A.T. Stearns complex. The Boston Daily Globe reported, “Before 8 o’clock the place was a mass of ruins, the only buildings standing being a part of the carpenter shop, a large shed, the boiler house and office. The two latter are brick buildings, with iron shutters.” Of those two brick buildings, the “office” that survived must have been 98 Taylor St. Damage resulted in the loss of the wharf, stores of wood, and machinery that amounted to at least $200,000.

The Stearns Company rebuilt and continued business until 1968.

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Dorchester Illustration 2670, 131 Ashmont Street Then and Now

131 Ashmont Street, Then and Now

Dorchester Illustration 2670

The house at 131 Ashmont Street was built in 1876-1877 and has been altered over the years.

The first owner was Jennie Seaverns, a teacher at the Minot Primary School. Jennie’s mother, Sarah, 77; and Martha A. Gilbert, 69, a teacher and boarder, lived at 131 Ashmont Street as well.

From 1882 to 1884, Alfred W. Burrill, a teller at the National Exchange Bank, rented the house. Burrill was followed by the Willcutt family, renting from 1885 through 1891. Other renters lived at the house until 1897, when William Wolff acquired the property. William was an actor and theater manager Castle Square Opera Company at the Castle Square Theater. His wife, Anne, was an actress and costume designer. They lived at 131 Ashmont Street until 1920.

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Gravestones, Dorchester Old North Burying Ground

Dorchester Illustration 2669

Gravestones, Dorchester Old North Burying Ground

Dorchester Illustration 2669

The image at the top of today’s illustration is a photograph of a grave marker in the Dorchester Old North Burying Ground. The design is of a skull with wings carved by James Foster II. Three generations of stone carvers, named James Foster, worked in Dorchester. The elder James Foster is credited with a number of the oldest tombstones in many Boston-area burial grounds. James Foster II lived from 1698 to 1763. The third James Foster was born in 1732 and died in 1771. Although their work is sometimes indistinguishable, James II dared to inaugurate a radical change in the well-established death symbol by placing eyeballs in the empty sockets (bottom image).

In the 18th century, before the Revolution, gravestone carvings were based on a “metamorphic aesthetic.” This concept attempted to depict the physical change from life to death. The image used most commonly in the 17th century was the skull, a medieval symbol of death. When wings were added to the design in the late 17th and 18th centuries, the design became a symbol of physical death and spiritual resurrection.

“The winged skull symbol pertains to life and death, and suggests the briefness of life and the power of death. The death’s head depicts the soul’s voyage through death.

“These symbols are an abstract form of death, and represent either Puritan angels and resurrection, or the ultimate triumph of death. Inscriptions were brief and informative, without mention of one’s character or position in life. Interestingly, flowers were sometimes carved on the edges of stones. This may have been a way for the Puritans to represent life, even if it was surrounded by images of death.”  https://sites.google.com/a/windsorct.org/revolutionary_windsor/home/gravestones-puritanism

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Dorchester Illustration 2668, Dorchester Music Hall

Dorchester Music Hall

Dorchester Illustration 2668

There was a music hall on the third floor of the former storage building in Fields Corner. Today we see two photos from about 1900 of the interior of this wonderful space, which was known as the Dorchester Music Hall. The photos were presented to the Dorchester Historical Society in 1923 by Edwin J. Lewis, Jr., he was an architect who designed many homes in Dorchester.

The top picture is facing the stage (to the east) and the other faces a rear balcony (west toward Dorchester Avenue). Note the large arched windows on both sides, and the pattern of the panes of glass, which is clearly visible in this very crisp photo.

The storage building represents one in an unusual mix of uses for the buildings that Lewis designed, the greatest percentage of which seems to have been homes or churches. The window trim and door surrounds in the photos are similar in design to those found in Lewis-designed houses in Dorchester, especially in the residential areas around Peabody Square.

Research in newspaper archives indicates that when the Dorchester Music Hall opened in about 1886, it presented fairly high-brow concerts and musical stage events. By the early 20th century, however, it primarily hosted political meetings and campaign rallies.

A sign of decline was evident in the following Dec. 15, 1894, newspaper article in The Boston Globe, which describes a staged betting event:

“Razors Like the Wind — They Whistled Through Whiskers of Ten Men. No Fatal Results From a Shaving Contest Last Night.”

“Dorchester Music Hall was turned into a one-chair barber shop last night, when Al Hayden beat Murphy in a fast shaving contest.”

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Marlton Downing, Dorchester Illustration 2667

Marlton Downing, Dorchester Illustration 2667

Marlton Downing was born Henry Marlton Downing in 1852. He changed his name for his work as a journalist and author. Downing married Sarah Thayer, and the couple moved in with her parents on Wesley Avenue, later named Dillingham Street, on Savin Hill. The street was later demolished for the construction of the Southeast Expressway. The couple had at least seven children.

As a young man, Downing was a mariner, serving on voyages to India and South America. He became a marine editor for the Boston Daily Post. In the 1890s, he was a journalist for The Boston Globe, and the newspaper sometimes published short stories by him of about a thousand words each. He was a co-author of The Young Cascarillero, and Colonel Thorndike’s Adventures; a Story of Bark Hunters in the Ecuador Forests and the Experiences of a Globe Trotter (Boston, 1895). Downing wrote plays that were produced by local groups.

By 1895, the family had moved to Chaplin, Conn., where Downing became a farmer. He died in 1927.

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Dorchester Illustration 2666, Fire Grenade

Fire Grenade

Dorchester Illustration 2666

In the period from the 1870s to the early 20th century, one method of fighting fire was the wall-mounted fire grenade. The grenade was a glass container with a fire-retardant liquid inside. Fire could move quickly through a home due to numbers of flammable items, such as, candles, oil lamps, wood and coal for stoves, clothing, upholstery, etc.

Earlier in the century, homeowners depended on neighbors to bring leather fire buckets to help pour water on a fire, often without much success. The fire grenade was meant to stop a fire at the start. The glass globe was grabbed from its holder and thrown at the base of the fire. The glass would break and the contents (water or carbon tetrachloride) would vaporize and help to put out the fire.

The grenade pictured in today’s illustration came from a Dorchester home. The grenade was made by the AutoFyrStop Company of Philadelphia, which described their extinguishers as both automatic and decorative.  Ours was made with frosted glass. Many others were manufactured using blue, yellow or green glass molded into more shapely oval designs. As you may imagine the grenades sometimes failed to extinguish the fire, which then consumed the house. The grenades were most effective when a fire was just breaking out.

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