Dorchester Illustration 2410 Oakland Garden Amusement Park

2410 Oakland Garden

Dorchester Illustration no. 2410   Oakland Garden Amusement Park

The illustration shows a horse-drawn car of the Highland Railway traveling to Oakland Garden, an outdoor amusement park located on Columbia Road near Blue Hill Avenue.  Its property took up what is what is now the land on either side of Hewins Street and Wolcott Street and in between, stretching from Columbia Road to Erie Street.  The map detail is from the 1884 Bromley atlas.

The Oakland Garden Amusement Park was established in the early 1880s, showing up on the 1884 atlas. Although Franklin Park opened in 1883, not all the land for the park had been acquired by that time, and the park was not completed for several years. Therefore the success of Oakland Garden Amusement Park must have resulted partly from its proximity to Franklin Park, offering additional attractions for visitors there.

The park appears again in the 1889 atlas, but by 1894, the land had been subdivided for residential development.

” Evening performances included mini-theatricals, operettas and concerts, while circuses and sideshows amused local children during the day. So popular were the attractions of Oakland Garden that horse-drawn cars were chartered from the Highland Railway.”

“Thus ‘if you wish to spend a pleasant evening,’ all you had to do was purchase a ticket. Large numbers of visitors not only took the cars but walked from miles around.”

Source: Anthony Mitchell Sammarco. Dorchester in the Images of America series. (1995).

 

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Dorchester Historical Society received Massachusetts Convention Center Authority Grant

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The Dorchester Historical Society (DHS) has received a $5,000 Community Partnership Grant Award from the Massachusetts Convention Center Authority.  Over the last 14 years, the DHS has allocated the majority of resources from its fundraising efforts to exterior property restoration for the 5 buildings on 2 sites owned and maintained by the Society. Throughout the restorations, the DHS maintained a vigorous schedule of exhibits and programs; and, the completion of the exteriors of these historical sites now allows the board to consider an expansion of its programming.  The grant will help the DHS achieve a more robust schedule of programs and events on a diversity of subjects that continue to celebrate to the rich heritage of the multi-cultural community in which we live.

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Dorchester Historical Society’s June program was standing room only

Reflections on the June program of The Dorchester Historical Society from board member Edward Cook audience at program June 16, 2019

Reflections on the June program of The Dorchester Historical Society from board member Edward Cook:

Seldom, if ever, has the monthly program hosted by the Dorchester Historical Society had its agenda amplified in content and poignancy as it was this past Sunday.

Despite falling on Father’s Day, the June 16th event attracted a crowd with standing room only, filling the room even before the program began.  One of the attendees, Bob Haas, attributed the size of the crowd to the subject of the afternoon. “People are interested in this topic.”

The program featured a talk by author Ed Quill about his book, When Last the Glorious Light: Lay of the Massachuset.  Mr. Quill, a native of South Boston and a long-time writer and archivist at The Boston Globe, penned his book in order to fill what he saw as a historiographical gap: no books had previously been written about the tribe after whom the Commonwealth was named.

Shortly after Mr. Quill began his talk, a special group of attendees arrived. After Mr. Quill opened the floor to questions, two men in the audience self-identified as descendants of various indigenous peoples. Mr. Wompineequin Wompatuck introduced himself in the language of the Massachuset and translated the introduction into English.  He is the Chief Sachem of the Mattakeeset people—a portion of the Wampatuck tribe of the Massachuset nation.  He explained that the others with him were all from different parts of the Massachuset peoples.

One of the key points in his comments was that the Massachuset people still exist and are seeking official recognition from the Commonwealth of Massachusetts for tribal status.  He and the other Massachuset people recognized the contribution that Mr. Quill’s book made and respectfully emphasized the importance that they be included in all study of their people’s history so that their voice was heard.  Mr. Quill noted the Massachuset source that had been consulted as a part of his researchand agreed by quoting a selection from his last chapter that, until the Massachuset people write their own history, there will be no true history of their people.

Several people in the audience expressed interest in learning more and supporting specific action to assist in the tribe in gaining official recognition status.  Several tribe members expressed gratitude for these new allies and offered to help with further programs on the life and history of the Massachuset, past and present.

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Dorchester Illustration 2409 William Henry Brady

2409 William Brady

Dorchester Illustration no. 2409   William Henry Brady

At the Dorchester Historical Society, we are in the process of a year-long project to commemorate the 100th anniversary of World War I. Using a collection of photographs we have of WWI Dorchester residents, we will be featuring servicemen in a number of short biographies throughout the year. At the culmination of the project, we hope to produce an online exhibit that highlights these men and their service to our country.

Our next biography features: William Henry Brady.

William Henry Brady was born January 9, 1896, at 12 Churchill Place (today’s Tanglewood Road) in Dorchester. His parents, Joseph Hugh and Margaret (McCallion), called Maggie, were from Nova Scotia. Married in 1887, in Stoneham, Massachusetts, Joseph was a house painter and Maggie was a housekeeper before her marriage. Their oldest child, Theresa, was born in 1887, followed by Catherine in 1889, Mary Irene in 1891, Margaret in 1893, Helen in 1897, Alice in 1899, Hugh in 1901, Frances Bernadine in 1903, Edward Lemert in 1907, and Herewerd Paul 1910. Elizabeth, born prematurely in 1906, died shortly after birth. Hugh died in 1911 of Mitral insufficiency, a form of heart valve disease.

By 1903, the family was living at 1211 Morton Street, Dorchester. By 1907, they owned 33 Groveland Street, Mattapan. The 1910 census recorded oldest sister Teresa now married, but still living with the family, along with her four-year-old daughter Lorraine Ford. William’s paternal uncle Savarus was also in the household.

When William registered for the draft in June 1917, he was working as a teamster with the Standard Oil Company on Freeport Street in Dorchester. On August 28, 1918, William was drafted and inducted into the National Army at Local Board 21, Dorchester’s draft board. He was sent to the 156 Depot Brigade at Camp Jackson, South Carolina for military training. On September 3, he was attached to the Field Artillery Replacement Depot. On October 17, he joined the 3rd Battery October Automatic Replacement Draft, a group of draftees being readied to take the place of casualties overseas. William did not make it overseas before the Armistice, and in December he returned to the Field Artillery Replacement Depot at Camp Jackson. He was demobilized at Camp Devens in Ayer, Massachusetts, and discharged on January 10, 1919.

After the war, he returned to live with his family at 33 Groveland Street. He worked as a clerk in a provisions store. By 1930, William’s father had died. William, his mother and his unmarried siblings had moved to 21 Dewolf Street, Dorchester. William had taken on his father’s profession: house painting. The next year, they lived at 26 Howe Street, Dorchester. By 1933, they were living at 401 Quincy Street, Dorchester, in the home of William’s married sister Mary Irene. His mother died in 1938.

Around that time, William married a woman named Mary. By 1940, William and Mary had two sons, William Junior, age 2, and a one-month-old infant. William also had a step-son, Thomas Connolly, age 9. William and Mary lived at 107 Alexander Street, a few blocks from his sister Mary Irene. William was technically unemployed in 1940; he reported that he had public emergency work, undertaking painting projects. He had been out of work for 18 weeks and had worked only 36 weeks in 1939. In 1942, the Bradys lived at 135 Whitfield Street, Dorchester. William worked for Bethlehem Steel at the Fore River Yard in Quincy. By 1943, according to the Boston directory, he had returned to painting. They stayed at 135 Whitfield Street until 1946. In 1947, a William and Mary Brady appear in the directory at 29 Union Street in Charlestown. In 1959, Thomas Connolly lived with them, along with Thomas’ wife, Impie L. In the mid-1960s, a William and Mary Brady appear living at 33 Gerald Street in Brighton. He is a painter with the Connolly Buick Agency and she is an aide at Saint Elizabeth’s Hospital. In 1964, Mary V. Brady is listed in the Boston directory as the widow of William H. No other record of his death has yet been found.

Sources

Birth Certificates, Massachusetts Vital Records, 1840–1911. New England Historic Genealogical Society, Boston, Massachusetts; Ancestry.com

Death Certificate for Elizabeth Brady, Hugh Brady; Ancestry.com

Family Tree, Ancestry.com

Census Records, Federal, 1900, 1910, 1920, 1930, 1940; Ancestry.com

Boston Directories, various years, Ancestry.com

World War I Selective Service System Draft Registration Cards, National Archive and Records Administration; Ancestry.com

Service Record; The Adjutant General Office, Archives-Museum Branch, Concord, MA. (These records have been transferred to the Massachusetts Archives)

World War II Selective Service Registration Cards, National Archives and Records Administration, Ancestry.com

“Rites Tomorrow for Mrs. Margaret T. Brady,” Boston Globe, 14 Feb 1938:13; Newspapers.com

 

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Dorchester Historical Society Program June 16, 2019 When Last the Glorious Light

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Dorchester Historical Society, 195 Boston Street, Dorchester, MA 02125

 Sunday, June 16,, 2019, 2 pm at the, William Clapp House

 “When Last the Glorious Light”

Join the Dorchester Historical Society for a conversation with Ed Quill, author and former journalist at The Boston Globe, as he shares his new book When Last the Glorious Light. This is the first full-length book on the Massachuset tribe–the people of the Blue Hills–for whom the Commonwealth was named.  Ed will discuss the history of influential chieftains including Chickataubut, Chickataubut’s brother Cutshamekin, ,Chickataubut’s son Wampatuck and Wampanoag chief Obbatinewat.

Ed Quill’s book may be purchased on his website at

https://www.quillcloud.net/

 

 

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Dorchester Illustration 2408 Residence and Plant of Frank H. McDonald

2408 2157 Dorchester Avenue

Dorchester Illustration 2408 Residence and Plant of F. H. McDonald, building contractor

Number 2157 Dorchester Avenue as it appears today is in the upper left of today’s illustration. It is located across from the entrance to Carney Hospital.  Its appearance about 1900 is shown in the larger picture to the right.  In 1884, the lot did not exist; the land was part of tract of about 8 acres owned by Joseph Churchill.  The 1889 atlas shows the new lot of 10,000 square foot with the building at the front.  The building at the back of the property, used by F. H. McDonald for his contracting business appears for the first time in the 1898 atlas.  The 1910 atlas shows the owner as Clara E. McDonald.

The 1920 census reported that Frank, a carpenter, and his wife Clara were living in the building at the rear with their sons George, 25, and Charles, 22, and daughter Marjorie, 19.  By 1926 the McDonald family does not appear in the Boston list of residents for 2157 or 2159 Rear Dorchester Avenue.

By 1933 the property was no longer owned by the McDonald family, and the lot was sub-divided with 6500 square feet for the three-family house facing Dorchester Avenue and 3500 square feet for the building at the rear with address 2159 Rear Dorchester Avenue, fronting on Ruggles Place, later Rugdale Road. The red house at the bottom of the picture at the lower left is at the site of the former contracting building and appears to be the same building.

Anthony Sammarco says “the plant provided numerous pieces of prefabricated mill work for houses being built in Dorchester and the surrounding areas in the late 1800s and early 1900s.”

The American Series of Popular Biographies. Massachusetts Edition. says

“FRANK H. MCDONALD, a well-known resident of Dorchester, is carrying on a substantial business as one of the leading carpenters and builders of that district.  He was born in Boston, June 4, 1855, son of John and Adeline H. (Pray) McDonald.  His father’s paternal grandparents emigrated from Scotland to Nova Scotia; and there his grandfather, Hugh McDonald, and his father, John, above named were both born and reared.

John McDonald learned in Nova Scotia the trade of a ship-joiner, which he followed in his early manhood.  In 1848 he removed to Boston, where he worked for many years as a house carpenter.  His wife, whose maiden name was Adeline H. Pray, was born in New Hampshire.

Frank H. McDonald obtained a practical education in the Boston public schools, and at the age of fourteen years decided to learn the carpenter’s trade for which his mechanical ingenuity specially fitted him.  He followed this occupation as a journeyman until 1895, when he established himself in business on his own account, and has since continued it with satisfactory pecuniary results.

Mr. McDonald has been twice married.  His first wife, Mary H. Chute, daughter of Solomon Chute, of Bridgetown, N.S., died in 1886, a year after their marriage.  In 1893 Mr. McDonald married for his second wife Miss Clara E. Willard, daughter of Frederick Willard, of Thomaston, Me.  Of this union two children have been born; namely, George H. and Charles B.  Fraternally, Mr. McDonald is a member of Macedonia Lodge, A.F. & A.M.,* and of the Golden Cross.  Politically, he affiliates with the Republican party.”

*A.F. & A.M.  Ancient Free and Accepted Masons.

 

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Dorchester Illustration 2407 Catharine Clapp

2407 CatharineClapp in chair Lemuel Clap House with wallpaper

Dorchester Illustration no. 2407   Catharine Clapp

This is one-half of a stereoview card showing Catharine Clapp in the parlor of the Lemuel Clap House.  In the late 18th to early 19th century, the family began using Clapp, but Catharine’s father Lemuel continued to spell his name with one “p”.  When Lemuel died in 1819, he left the house to his unmarried daughters Catharine and Rebecca.  Rebecca died in 1855.

The illustration shows Catharine in her later years sitting in the parlor.  The Society has pieces of the wallpaper seen in the illustration – the wallpaper was there during the Revolution when the house was used as a barracks for Colonial troops during the Siege of Boston.  There is a story that the men who occupied the house in the run up to the fortification of Dorchester Heights tried unsuccessfully to pry the roses from the walls to adorn their uniforms.

The entry for Catharine in the family genealogy:

Catharine, b. April 17, 1782; d. unm. Feb. 21, 1872, in her 90th year. She retained her mental faculties to the last, reading her bible and other good books daily, without glasses, which through her long life she never used; was a worthy woman, of the old puritan stamp; lived and died in the house in Willow Court, occupied by her father during his life.  The house, after her death, as elsewhere mentioned, passed into the hands of her nephews, Frederick and Lemuel.

The following is from Supplement p. 321 in The Clapp Memorial. Record of the Clapp Family in America.  Compiled by Ebenezer Clapp.  Boston: David Clapp & Son, 1876.

After the death of Catharine, the east room or parlor not being used; and no fire being kept there, the wall paper became loose and a part of it came off.  This paper was known to have been on the walls one hundred and three years, and doubtless was imported from England.  It was of a showy pattern, with large columns or pillars, with bright red roses intertwined about them.  It has been said that when Capt. Lemuel’s military company was quartered in the house, in the early part of the Revolutionary War, the soldiers tried to get these roses off to put on their hats, but their efforts proved unavailing.  During the last few years, pieces of this paper have been much sought after for relics.  In the east chamber can be seen in the floor the charred marks  of the legs of the iron kettles used by the  soldiers, and in two other room the ceiling show marks made by their guns while exercising.  In striking contrast with the chimneys of the present time, the west chimney of the old house measures about eight feet square in the cellar.

The Clapp Memorial also mentions: William Blake Trask, a Dorchester cabinet-maker and later a prominent genealogist, married Richard Clapp’s daughter Rebecca (Richard was a brother of Catharine).  They built a house on Clapp Place in 1844 (now numbered 42 Mayhew Street), where they resided for 10 years.  Subsequently, for seventeen years, they lived in the Lemuel Clap House with Catharine and Rebecca, aunts to Mrs. Trask.  They continued there until Catharine’s death in 1872, then moved to the brick house erected by Mrs. T’s father, Richard, on Pond Street.

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June 15, 2019 Lemuel Clap House – Open House 11 am to 4 pm

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The Lemuel Clap House will be open for public tours on Saturday, June 15, 2019.

The Lemuel Clap House was remodeled in the 1760s soon after Lemuel acquired the house.  There is an inner core of the house consisting of two rooms on top of one another that may be the house (or part of it) where Roger Clap lived. In the earl 1700s the house was remodeled to add the four rooms at the left (2 down and 2 up) with its 3-bay appearance.  In the 1760s the house was expanded to the right to give the 5-bay appearance in the Georgian style.

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Dorchester Illustration 2406 Frederic Nixon Weaver

2406 Frederic Nixon Weaver

Dorchester Illustration no. 2406   Frederic Nixon Weaver

At the Dorchester Historical Society, we are in the process of a year-long project to commemorate the 100th anniversary of World War I. Using a collection of photographs we have of WWI Dorchester residents, we will be featuring servicemen in a number of short biographies throughout the year. At the culmination of the project, we hope to produce an online exhibit which highlights these men and their service to our country.

Our next biography features: Frederic Nixon Weaver

By Camille Arbogast

Frederic Nixon Weaver was born September 21, 1889, at 4 Dimock Street in Roxbury, the first child of Margaret I. (Nixon) and George Edwin Weaver. He was followed by three siblings: Warren born in 1891, Mabel in 1893, and Ralph in 1901.

Frederic’s paternal grandparents owned a home in Dorchester at the corner of Milton Avenue and Prospect Street (today’s Edson street). Frederic’s grandfather, a “stationary engineer,” died in 1891; by 1893, Boston directories list the Weaver family living at 50 Milton Avenue, probably the grandparents’ home. In 1895, there was a real estate transaction between Frederic’s father George and Jennie Cliff, Frederic’s aunt; it appears they divided the family property. The Cliffs lived at the corner of Milton and Edson, and the Weavers on the next lot in from the corner, 65 Edson. Growing up in Dorchester, Frederic attended the Henry L. Pierce school at Washington Street and Welles Avenue.

After working as a mason for over twenty years, Frederic’s father George became the Sexton of the Second Congregational Church, Codman Square, around 1910. At that time, Frederic was attending Tufts College. He graduated summa cum laude with a Bachelor of Science in Structural Engineering in 1913. In addition to his studies, Frederic pledged Sigma Tau Alpha, was Class Treasurer and served on the Class Day Committee.

Frederic also developed his creative side while in college. He was on the editorial board of The Tuftonian, a monthly literary magazine. His play “One a Williams,” produced at the college, won the Pen, Paint, and Pretzel Club playwriting award. Representing the Tufts Dramatic Society, he worked with the Young People’s Society of Christian Endeavors of the Second Congregational Church, Codman Square, to produce the plays “Lost—A Chaperone,” and “The Deacon’s Second Wife.”

Literary endeavors continued throughout his life. In 1921, his short story “When Walls Have Breath” ran in Detective Story magazine; “Angling for Eddie,” a three-act-play, was published in 1927.  In the late 1930s, his play “A Clear Conscience” was produced by Barnstormers of Pennsylvania; two years later it was presented at Tufts by the Graduate Dramatic Society. Combining his literary and engineering talents, he also wrote a book on applied mechanics.

After graduation, Frederic spent the summer of 1913 in Europe, travelling in Italy and France. When he returned, he went to work as a checker for the New England Structural Company in Everett, Massachusetts. In 1915, he moved to Passaic, New Jersey, and taught industrial education at Passaic High School for two years.

He registered for the draft in Passaic. He had already begun the process of determining how he might serve in the war; it was noted on his registration that he had “passed officer military examination.” Frederic enlisted in the National Guard in Boston on August 22, 1917.

He served in F Company, 101st Engineers of the 26th Division, or Yankee Division. They trained for a month at Wentworth Institute in Boston, before sailing for France on the USS Andania on September 26. They were initially stationed in Rolampont, in the Haute-Marne, where they built a camp to be occupied by later arriving troops. This involved building barracks, digging latrines, and working on roads. For six weeks in February and March 1918, the Company was in the Chemin des Dames Sector, where they spent their nights stringing barbed wire and digging trenches. In the spring, in the Toul-Boucq Sector, they improved frontline trenches, again working at night, and often under fire. Frederic was promoted to Corporal in April. In July, they were at Chateau-Thierry, during the Aisne-Marne offensive. Here, their assignments included burying the dead and constructing trenches, enduring shellfire and a gas attack. Sometimes they were called upon as infantry, participating in attacks, or “going over the top.” Once they were in enemy territory, they blew up or cut barbed wire, bombed dugouts and wrecked trenches. Frederic was slightly wounded in action on July 21, a day the Company was assigned to fill shell holes on the Lucy-le-Bocage road. In August, the tenor of the war changed, and instead of digging trenches, they now filled them, building roads over them for the advancing Allied Army. In September, F Company was at the engagement at Saint-Mihiel; in October they worked around Verdon in the Meuse-Argonne. Just before the Armistice, in early November, Frederic left his company to attended the final course offered at the Engineer Candidates School. When the school closed on January 31, 1919, he returned to F Company, now assigned to road work in northwestern France.

In late February, Frederic, along with two other members of his company, “took advantage of the government’s offer and spent four blissful months in French Universities,” as he remembered in the published history of F Company. As part of the American School Detachment, Frederic studied at the University of Caen, where he remained until the end of June. He thought this “the best part of the war.”

Frederic returned to the United States in mid-July, sailing from Brest with the Brest Casual Company 2249 on the USS Imperator. He was discharged on July 22. Back in Massachusetts, he lived for a year in Medford before returning to live with his family at 65 Edson Street.

On December 19, 1923, Frederic married Ruth Johnson of Dorchester, a co-thespian from his Young People’s Society of Christian Endeavors days. For their honeymoon, they travelled in Europe for four months in the summer of 1924, visiting France, Switzerland, Italy, and England. In 1925, their son, Arthur, was born. A daughter, Dorothy, followed in 1938. The couple’s first home together was located at 16 High Street in West Somerville. By 1930, they owned 29 Adams Street in Medford, and in 1948, they purchased 34 Jackson Road, West Medford, where they lived for the rest of Frederic’s life.

Beginning with the 1919-20 school year, Frederic was an instructor of Mathematics at Tufts College. He spent his career at Tufts, rising to Professor of Civil Engineering in 1932, and finally head of the Civil Engineering department, a position he held until his retirement in 1957. During summers, he maintained a civil engineering practice. He was active in professorial and civil engineering professional societies, serving as president of the Tufts Chapter of the American Association of University Professors, the New England section of the American Society of Civil Engineers, and the Boston Society of Civil Engineers

Frederick died on August 22, 1976 at Lawrence Memorial Hospital in Medford. He was survived by his wife, two children, and four grandchildren

Sources:

  • 1884 Bromley Atlas of the City of Boston, Dorchester, Plate N; 1910 Bromley Atlas of the City of Boston, Dorchester, Plate 25; Dorchester Historical Society, Dorchesterathenaeum.org
  • Birth Certificate, Massachusetts Vital Records, 1840–1911. New England Historic Genealogical Society, Boston, Massachusetts; Ancestry.com
  • Boston Directories, various years, Ancestry.com
  • Boston Globe, 30 Aug. 1895, 23 June, 1903, 13 June 1911, 3 October 1912, 19 January 1913, 29 May 1913, 18 June 1913, 14 May 1914, 8 March 1940, 3 September 1957, 23 August 1976; Newspapers.com
  • Census Records, Federal, 1900, 1910, 1920, 1930, 1940; Ancestry.com
  • Deed, 34 Jackson Road Deed, Southern Middlesex Registry of Deeds, Masslandrecords.com
  • Lists of Incoming Passengers, 1917-1938. Records of the Office of the Quartermaster General, 1774-1985, The National Archives at College Park, Maryland; Ancestry.com
  • Passport Application, National Archives and Records Administration (NARA); Washington D.C., 28 Jun 1913-09 Jul 1913 and 20 May 1924; Ancestry.com
  • Tufts College Bulletin, Annual Catalog, 1919-1920, Published by the Trustees of Tufts College; 56, Archive.org
  • Tufts Yearbooks, Various Years; Ancestry.com
  • Weaver, Frederic Nixon. “When Walls Have Breath,” Detective Story Magazine, October 15, 1921.
  • Weaver, Frederic Nixon, Angling for Eddie. Boston: Walter H. Baker Company, 1927.
  • Weaver, Frederic N. Applied Mechanics. NY: Ronald Press, 1930.
  • World War I Selective Service System Draft Registration Cards, National Archive and Records Administration; Ancestry.com
  • World War I Service Record; The Adjutant General Office, Archives-Museum Branch, Concord, MA
  • Weaver, Frederic N. and Philip N. Sanborn. The Story F Company 101st US Engineers, An Informal Narrative. Boston: T.O. Metcalf Co, 1924
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Dorchester Illustration 2405 Portrait of Isaac Withington by Robert Ball Hughes

2405 Isaac Withington burnt poker drawing

Dorchester Illustration no. 2405   Burnt Poker Portrait of Isaac Withington

 The Dorchester Historical Society has recently acquired a burnt poker portrait of Dorchester Resident Isaac Withington by the artist Robert Ball Hughes.  The Society also owns a bust by Ball Hughes of Washington Irving.  Isaac Withington, the subject of the portrait, was born in Dorchester in 1802 and died here in 1877.  Perhaps you will agree that after having seen the portrait, you would recognize Mr. Withington if you were to meet him. Ball Hughes’ subjects were usually famous men and literary and artistic scenes.  It might seem odd for him to create a portrait of a person of no fame, but Withington lived on Harvard Street, only a few blocks away from Ball Hughes’s home at 3 School Street, so perhaps they were friends.

Pyrography is the art of burning sketches into wood using a hot poker. A late 19th-century publication, Wide Awake, a serial miscellany of topics from art and literature, described the technique in 1885: [Regarding]  “the drawing on wood with a hot iron (otherwise known as “poker-pictures”).  The lines are burnt upon the wood and produce the effect when varnished, of a painting in glazed oils, such as bitumen or mummy–the color of the burnt line being a rich brown upon the soft creamy tone of the wood.  the late Mr. Ball Hughes made many pictures in this manner, producing varied effects by the skilful use of his iron rod.”

William Dana Orcutt said in Good Old Dorchester (Cambridge,1893), 385-386:

“Mr. Hughes manifested his artistic nature in more ways than one. He excelled, among other things, in executing what are known as “poker sketches.” These are pictures made on whitewood, the only tools used being pieces of iron, which were heated to a white heat. Every touch of the hot iron leaves a mark which cannot be effaced, and the work is so trying to the nerves that only a short time each day can be devoted to it.

The effects of color can only be appreciated when seen. It seems incredible that such artistic results could have been produced in this way. Among the works of this kind, many of which are now in the possession of Mr. Hughes’ son-in-law, Mr. Benjamin F. Brown, may be mentioned “The Trumpeter,” “The Monk,” “Falstaff Examining his Recruits,” — embracing a dozen or more figures, —”Rembrandt,” “Don Quixote,” “Shakespeare,” “Rubens,” and “The Scotch Terrier.””

 

There are a few examples of Ball Hughes’ other burnt poker drawings at these links

http://www.geocities.ws/Paris/Rue/4029/antique.html

http://carverscompanion.com/Ezine/Vol8Issue5/KMenendez/KMenendez2.html

Robert Ball Hughes was an artist, born in London in 1804, who immigrated to America in 1829.  He  and his wife Eliza went first to Washington, D.C., where he sculpted a bust of President Jackson, then New York City, where he sculpted a bust of Alexander Hamilton and then a life-size statue of Hamilton, said to be the first marble statue cared in America. They later moved to Philadelphia, where he won a competition for an Equestrian Statue of George Washington sponsored by the Order of the Cincinnati, but the project was not completed due to the failure of the Bank of the United States.  In 1839 he was hired by the US Mint to modify the design for the Seated Liberty coins.

In 1842 they moved to Dorchester, where Ball Hughes was commissioned to produce a bronze statue of mathematician and astronomer Nathaniel Bowditch.  This statue was the first large bronze to be cast in the United States.

The Ball Hughes first lived on Adams opposite the site that would later become the Cedar Grove Cemetery.  Then in 1851 they moved to 3 School Street at the corner of Washington and School Streets.  The house is still there, though quite altered.  They entertained some of the world’s celebrities including Charles Dickens and Jane Stuart, the artist.

Ball Hughes produced many other works, and in later life he turned to poker drawings.   He was one of only a few noted artists in this medium.

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