Dorchester Illustration 2671 Stearns Lumber Company

Stearns Lumber Company

Dorchester Illustration 2671

 

This image from the 1910 atlas, shows that the Laban Pratt’s Lumber Company extended on both sides of the train tracks at the Neponset River, but Albert Thomas Stearns Lumber Company to the east (outlined in red) dwarfed Pratt’s operations.

Stearns started in the lumber trade in 1843, in Waltham at Butrick’s lumberyard, moved from there in 1849 to Neponset. In the 1850s, two wharfs and several boat slips flanked the railroad tracks at their point of entry to Port Norfolk. According to the Taxable Evaluation of the Town of Dorchester for 1869, Taylor Street was lined with the lumber companies of Laban Pratt and Albert T. Stearns.

Pratt’s business was made up of a counting room, stable, “lumber buildings” and two wharfs. All that remains of Pratt’s lumber business are granite block bulk heads and shore retaining walls. Both Pratt and Albert T. Stearns are cited by William Dana Orcutt as being among “the several active businessmen who moved to Dorchester and did much to build up the easterly part of the town.”

There is no longer any remaining physical feature from the Stearns Company with the exception of the circa mid-19th century Greek Revival brick office structure at 98 Taylor St. This structure is labeled “office” on the 1910 atlas. The half dozen Stearns buildings that once stood across Taylor Street have all disappeared although several foundations appear to have survived amidst the underbrush.

In 1871, Stearns was sent a sample of cypress that sat unused for years before he thought to use it to make the door frames and moldings of a new office building. Afterwards, Stearns realized the potential cypress held as a finishing wood; it was inexpensive, more rot-resistant than pine, and came in a variety of rich hues.Until Stearns’ fierce advocacy of cypress, “it was the pariah of the southern swamps; it was the nemesis of the sawmill man; it was the cap-and-bells of the dealers; it was the disgust of the American consumer.”

Stearns was confident in cypress and ardently encouraged its use in projects wherever he was involved. He was so sure of its success that he regularly offered to make gutters from cypress for free, with the promise that he’d replace them with pine if they were not to his customer’s satisfaction. In a few years time, gulf cypress was an A.T. Stearns Lumber Co. speciality. The bald cypress of the southeastern United States is still available and is not considered to be threatened like other cypress trees.

On the morning of Sept. 25, 1884, a fire broke out in the engine room of the A.T. Stearns complex. The Boston Daily Globe reported, “Before 8 o’clock the place was a mass of ruins, the only buildings standing being a part of the carpenter shop, a large shed, the boiler house and office. The two latter are brick buildings, with iron shutters.” Of those two brick buildings, the “office” that survived must have been 98 Taylor St. Damage resulted in the loss of the wharf, stores of wood, and machinery that amounted to at least $200,000.

The Stearns Company rebuilt and continued business until 1968.

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Dorchester Illustration 2670, 131 Ashmont Street Then and Now

131 Ashmont Street, Then and Now

Dorchester Illustration 2670

The house at 131 Ashmont Street was built in 1876-1877 and has been altered over the years.

The first owner was Jennie Seaverns, a teacher at the Minot Primary School. Jennie’s mother, Sarah, 77; and Martha A. Gilbert, 69, a teacher and boarder, lived at 131 Ashmont Street as well.

From 1882 to 1884, Alfred W. Burrill, a teller at the National Exchange Bank, rented the house. Burrill was followed by the Willcutt family, renting from 1885 through 1891. Other renters lived at the house until 1897, when William Wolff acquired the property. William was an actor and theater manager Castle Square Opera Company at the Castle Square Theater. His wife, Anne, was an actress and costume designer. They lived at 131 Ashmont Street until 1920.

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Gravestones, Dorchester Old North Burying Ground

Dorchester Illustration 2669

Gravestones, Dorchester Old North Burying Ground

Dorchester Illustration 2669

The image at the top of today’s illustration is a photograph of a grave marker in the Dorchester Old North Burying Ground. The design is of a skull with wings carved by James Foster II. Three generations of stone carvers, named James Foster, worked in Dorchester. The elder James Foster is credited with a number of the oldest tombstones in many Boston-area burial grounds. James Foster II lived from 1698 to 1763. The third James Foster was born in 1732 and died in 1771. Although their work is sometimes indistinguishable, James II dared to inaugurate a radical change in the well-established death symbol by placing eyeballs in the empty sockets (bottom image).

In the 18th century, before the Revolution, gravestone carvings were based on a “metamorphic aesthetic.” This concept attempted to depict the physical change from life to death. The image used most commonly in the 17th century was the skull, a medieval symbol of death. When wings were added to the design in the late 17th and 18th centuries, the design became a symbol of physical death and spiritual resurrection.

“The winged skull symbol pertains to life and death, and suggests the briefness of life and the power of death. The death’s head depicts the soul’s voyage through death.

“These symbols are an abstract form of death, and represent either Puritan angels and resurrection, or the ultimate triumph of death. Inscriptions were brief and informative, without mention of one’s character or position in life. Interestingly, flowers were sometimes carved on the edges of stones. This may have been a way for the Puritans to represent life, even if it was surrounded by images of death.”  https://sites.google.com/a/windsorct.org/revolutionary_windsor/home/gravestones-puritanism

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Dorchester Illustration 2668, Dorchester Music Hall

Dorchester Music Hall

Dorchester Illustration 2668

There was a music hall on the third floor of the former storage building in Fields Corner. Today we see two photos from about 1900 of the interior of this wonderful space, which was known as the Dorchester Music Hall. The photos were presented to the Dorchester Historical Society in 1923 by Edwin J. Lewis, Jr., he was an architect who designed many homes in Dorchester.

The top picture is facing the stage (to the east) and the other faces a rear balcony (west toward Dorchester Avenue). Note the large arched windows on both sides, and the pattern of the panes of glass, which is clearly visible in this very crisp photo.

The storage building represents one in an unusual mix of uses for the buildings that Lewis designed, the greatest percentage of which seems to have been homes or churches. The window trim and door surrounds in the photos are similar in design to those found in Lewis-designed houses in Dorchester, especially in the residential areas around Peabody Square.

Research in newspaper archives indicates that when the Dorchester Music Hall opened in about 1886, it presented fairly high-brow concerts and musical stage events. By the early 20th century, however, it primarily hosted political meetings and campaign rallies.

A sign of decline was evident in the following Dec. 15, 1894, newspaper article in The Boston Globe, which describes a staged betting event:

“Razors Like the Wind — They Whistled Through Whiskers of Ten Men. No Fatal Results From a Shaving Contest Last Night.”

“Dorchester Music Hall was turned into a one-chair barber shop last night, when Al Hayden beat Murphy in a fast shaving contest.”

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Marlton Downing, Dorchester Illustration 2667

Marlton Downing, Dorchester Illustration 2667

Marlton Downing was born Henry Marlton Downing in 1852. He changed his name for his work as a journalist and author. Downing married Sarah Thayer, and the couple moved in with her parents on Wesley Avenue, later named Dillingham Street, on Savin Hill. The street was later demolished for the construction of the Southeast Expressway. The couple had at least seven children.

As a young man, Downing was a mariner, serving on voyages to India and South America. He became a marine editor for the Boston Daily Post. In the 1890s, he was a journalist for The Boston Globe, and the newspaper sometimes published short stories by him of about a thousand words each. He was a co-author of The Young Cascarillero, and Colonel Thorndike’s Adventures; a Story of Bark Hunters in the Ecuador Forests and the Experiences of a Globe Trotter (Boston, 1895). Downing wrote plays that were produced by local groups.

By 1895, the family had moved to Chaplin, Conn., where Downing became a farmer. He died in 1927.

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Dorchester Illustration 2666, Fire Grenade

Fire Grenade

Dorchester Illustration 2666

In the period from the 1870s to the early 20th century, one method of fighting fire was the wall-mounted fire grenade. The grenade was a glass container with a fire-retardant liquid inside. Fire could move quickly through a home due to numbers of flammable items, such as, candles, oil lamps, wood and coal for stoves, clothing, upholstery, etc.

Earlier in the century, homeowners depended on neighbors to bring leather fire buckets to help pour water on a fire, often without much success. The fire grenade was meant to stop a fire at the start. The glass globe was grabbed from its holder and thrown at the base of the fire. The glass would break and the contents (water or carbon tetrachloride) would vaporize and help to put out the fire.

The grenade pictured in today’s illustration came from a Dorchester home. The grenade was made by the AutoFyrStop Company of Philadelphia, which described their extinguishers as both automatic and decorative.  Ours was made with frosted glass. Many others were manufactured using blue, yellow or green glass molded into more shapely oval designs. As you may imagine the grenades sometimes failed to extinguish the fire, which then consumed the house. The grenades were most effective when a fire was just breaking out.

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Dorchester Illustratin 2665, George Douse, developer

George Douse

Dorchester Illustration 2665

George N. Douse was a well-known developer of housing in Dorchester during the first three decades of the 20th century. He is pictured at the right in today’s illustration.

In 1912, he built a series of three-deckers on Monadnock Street. In 1915, Douse acquired 51 lots of land on Whitten, Redwood, Althea, Clematis and Center streets and Dorchester Avenue, where he built single and two-family homes. He bought 10 more lots in the same area the following year. On Sept. 10, 1916, The Boston Globe stated, “The development of the Whitten estate by George N. Douse, a well-known builder, is proving one of the most important undertakings that has been experienced in the Dorchester District.”  

Douse indulged himself at the dinner table and became proud of his stature. He was pictured in the media eating with others members of a U.S. Fat Men’s Club. A story on the New England Historical Society website says to join the New England Fat Men’s Club you had to weight at least 200 pounds. https://newenglandhistoricalsociety.com/?s=U.S.+Fat+Men%27s+Club

An article in The Boston Globe on July 15, 1929, reported Douse’s weight as 480 pounds. His shirt collar was recorded as 36 inches in circumference. In a bit of hyperbole, the reporter said that Douse’s coat had more yardage than Ringling’s Big Top.  

It is probably not surprising that George died two years later at the age of 53.

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Dorchester Illustration 2664 Ship Charles Carroll

Ship Charles Carroll

Dorchester Illustration 2664

In the 1830s a syndicate was formed with facilities at Commercial Point to make a profit from whale and cod fishing.

The following paragraph is from “Captain John Codman, William D. Codman, John & Richard Codman” in Other Merchants and Sea Captains of Old Boston (Boston, State Street Trust Company, 1919.

“Their goal was to whale in the Pacific, Indian, and North Atlantic oceans. The ships bought by the company were the “Charles Carroll,” of Nantucket; “Courier,” “Herald,” and bark “Lewis,” plus they equipped twenty schooners, of which two—the “Belle” and “the Preston”—were built at the Point.  They purchased not only the wharf, but quite a tract of land in its immediate vicinity, where they put flakes for the drying of their codfish.  They also built some cooper-shops and a store for the supply of sailors’ outfits and ship chandlery.  The store was built from the material that came from the granary building which formerly occupied the site of the present Park Street Church in the city proper.”

William C. Codman is cited in William Dana Orcutt. Good Old Dorchester. (Cambridge, 1893), 178-179″

“I well remember the arrival of the ‘Charles Carroll.’  The wharf at the Point was lined with carriages coming from great distances, containing relatives or friends of the Jack Tars [who had been away for 4 years].  When every sail had been furled, they were allowed to go ashore. Anxious parents, brothers and sisters awaited them.  The Jacks climbed over the side to rush to their relatives’ embraces…”

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Thaddeus Mason Harris School

Dorchester Illustration 2663

A newly-acquired unused photo postcard from about 1910 shows a picture of the Harris School.

In 186,1 the Harris School on Adams Street at the corner of Victory Road (formerly Mill Street) was erected and named in honor of the Rev. Thaddeus Mason Harris, who was the pastor of the First Parish for many years. The property was conveyed to the Boston Housing Authority (in the 1970s?) for the construction of apartment buildings.

Sometimes it was called the school on the Lower Road, before the naming of the streets. Adams Street was the lower road through Dorchester, and Washington Street was the upper road. From the early settlement of Boston and Dorchester, the road from Boston to Plymouth led to Roxbury and meandered along the eastern part of Dorchester to Lower Mills and on to points south. In the mid-seventeenth century, the upper road was constructed to provide a more direct route from Boston to Roxbury to Lower Mills. It was not until 1804-1805 that the Dorchester Turnpike (now Dorchester Avenue) and the South Boston Bridge were constructed to provide an even more direct route from Boston to Lower Mills.

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Dorchester Illustration 2662, Harry B. Whall

Harry B. Whall

Dorchester Illustration 2662

Harry Bertram Whall was born in Dorchester in 1868 to Charles and Mary Whall.  Charles was an expressman, a person who collects and delivers goods. Mary, was a milliner, a hat maker.

In the early 1890s, Whall lived in Lower Mills, then moved to 300 Ashmont St. for a few years and later moved to 389 Ashmont St., in the section of the street between Burgoyne Street and Adams Street.  

Harry Whall worked in real estate, though starting in 1900, he was listed for a few years as the president of the U.S. Steel Company, possibly located in Everett (not the U.S. Steel that was formed by Andrew Carnegie, J.P. Morgan, Charles Schwab and Elbert H. Gary in 1901).

Whall’s advertisements with houses for sale were common in the Boston newspapers of his day.  

Whall was prominent in public affairs, serving two years in the Common Council of Boston, and he represented the twenty-fourth Suffolk District in the Massachusetts Legislature in 1899 and 1900.

In 1895, Whall married Fannie Longfellow Baldwin. By 1910, Harry and Fannie must have divorced, because Fannie was not listed at 389 Ashmont St. in the 1910 U.S. Census.  Fannie died in 1917. 

Whall married Lillian Clarry in 1914.

He died in 1920, leaving his wife and a four-year-old daughter.

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