Dorchester Illustration of the Day no. 2075 View of Boston from Mount Bowdoin

Dorchester Illustration of the Day no. 2075

View of Boston from Mount Bowdoin.  First Parish on Meeting House Hill is on the right.

Scan of wood engraving Boston, From Mount Bowdoin published in Picturesque America by William Cullen Bryant. New York: D. Appleton & Co., 1872-74.

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Dorchester Illustration of the Day no. 2074 Channing Church

Dorchester Illustration of the Day no. 2074

Postcard. Caption on front: Channing Church, Dorchester.  Postmarked Uphams Corner Station, Dec. 28, 1907. With one-cent stamp.  The Channing Church building is located on East Cottage Street near Dorchester Avenue, and  is now known as Little House.

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Dorchester Illustration of the Day no. 2073 Power Statin

Dorchester Illustration of the Day no. 2073

The brick power station on Freeport Street with a tile roof and chimney and a wharf for coal delivery was erected in 1896 to produce power for the electric street railway system.  Now occupied by Yale Electric.

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Dorchester Illustration of the Day no. 2072 Emily Fifield

Dorchester Illustration of the Day no. 2072

Mrs. Emily A. Fifield was born inWeymouthon Feb. 12,1840, welcomed by her parents Mr. & Mrs. Thomas B. Porter.  Mr.  Porter was a lumber dealer in the town and had wharfs on theMonatiquotRiverwhich passes out into the sea belowQuincy.

Emily Porter was a sober, quiet little girl who had a sensible mind, gentle behavior and kind heart.  Her parents realized thatWeymouthcould not offer all the education they desired for their children and Emily at fifteen was sent intoBostonto a fine school kept by William B. Fowle.

Coming out of school before her eighteenth birthday she was betrothed to her life long boyfriend William Cranch Bond Fifield, who was ten years older, and they were married on May 31 1858.  William was from a family who lived near the Porters onFront Street.  His father was Dr. Noah Fifield, aWeymouthphysician beloved the state over.  William Fifield had traveled to Europe to be educated and when he came home fromEnglandwith the diploma from the Royal College of Surgeons inLondon, he married Emily almost at once.  They found a house inDorchesterand lived there for 50 years.  They had three children Mary; George (died in infancy) and Charles a wonderfully gifted boy who died inDorchesterin 1877.

William was invited to become a member of the staff of theNew CityHospitaland was connected to that institution for 18 years.  In those days William drove into the hospital over the Avenue by horseback.  The doctor and the hospital kept a horse always ready to send out toDorchesterwhen there was an emergency.

They were of cultivated refined instincts.  Both Emily and William were fond of music. William played well on the violin and they associated with other musical people.  They were constant attendants every winter at all the great concerts and oratories in “Bostonand regular attendees at the Symphony.  They knew and discussed the best literature, were familiar with the best poetry and the best art.  They were what are called “bookish” people and their circle of friends was of similar tastes.  William’s mother, the elder Mrs. Fifield was the daughter of Prof. William Bond the founder of the astronomical observatory inCambridgeand she could compute and chart from the observations taken by her father Prof George Bond.

Emily was a member of the Boston School Committee from 1884 -1900 and the second woman elected to membership in that body.   The success of theMechanicArtsSchoolwas largely due to her services in behalf while she was chairman. Another achievement was her work in the educational exhibit sent fromBostonto the Chicago World’s Fair, the World’s Columbian Exhibition.  The exhibit gaveBostonthe reputation as a leader in educational matters, a reputation that was communicated throughout the civilized world.

She was interested in religious and philanthropic enterprises especially inDorchesterwhere she lived during the greater part of her more active life.

 

After William died in 1896,  Emily actively continued her projects until she died in her home in 1913 at 74 years of age.  There was a large attendance of friends at the funeral services for Emily at theFirstParishChurch, Meeting House Hill, among them manyBostonschool teacher members of the American Unitarian Association.  As a mark of respect the flags on all the schoolhouses in the district were lowered to half staff.  The officiating ministers were Rev. Roger S, Forbes, minister of the church and Rev. James De Normandie DD of the First Church in Roxbury.

The honorary pallbearers were members of the National Alliance Board headed by Emma C. Low of BrooklynNew York.  The national president was accompanied by Mary Fifield King, Emily’s daughter, and the ushers were members of the National Alliance Board.

She was devoted to the Unitarian cause and to herDorchesterchurch.  She dearly loved the national organizations whose meetings she attended faithfully and with eager interest.  Mrs. Fifield’s guiding influence was first felt when she became secretary.  She helped to form plans that made the society strong and permanent, and she carefully tended to the organization’s growth, always working to include every part of the country.  She worked to make her work national in its scope.  She felt equally interested in all parts of the country:PacificCoast, Southern circuit, orGreenHarbor.  Always a welcome speaker, she used clear and forceful language to communicate a fuller understanding of the aims and methods of the organization.

Emily combined an unusual degree a large vision, the facility of seeing things in their true relations that enabled her to develop plans with rare wisdom and the habit of painstaking attention to minute details.   Her reports were models of clarity.  Always young in spirit, possessed of open mind, and demonstrating large sympathies while being guided by the highest ideals, she gave her best in generous loving service.

One of Emily’s activities was her work with The Benevolent Society of theFirstParishChurch.  The Society, which was organized in 1861, stated its general purpose in its name.  Its definite work is twofold: first, to give deserving women employment in the form of sewing and second to give the garments made by these women and by members of the society to charitable institutions, industrial schools and in response to private appeals.

Sixteen women received sewing assignments through the fall and winter months and nine women through the spring and summer.  Each earned $1.50 per month through payment from the Society.  The women thus employed were personally known to and visited by the members of the Committee.  No one who is not cognizant of the work of the Society can have the slightest idea how valuable to these women was the opportunity of earning money by work which could be done in their own homes and at times when other work was unavailable.

The Society kept both the Dorchester Ward in theNew EnglandHospitaland the Nathaniel Hall room at the Mariners’ Home supplied with bed linens, blankets, towels, etc., as required.

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Dorchester Illustration of the Day no. 2071 Joseph Levis

Dorchester Illustration of the Day no. 2071

Joseph L. Levis, Olympic fencer who loved to dance died in Brighton, May 20, 2005 at the age of 99.

His obituary appeared in the Boston Globe on Saturday, June 11, 2005.

Mr. Levis represented the United State in three Olympic Games and became a ballroom dancing champion in his 80s and 90s.

While Mr. Levis won many national fencing championships, his biggest accomplishment was winning the silver medal at the 1932 Olympics in men’s foil fencing. It is still, as of 2005, the highest record in men’s or women’s foil in Olympic history for a US fencer.

The son of Italian immigrants, Mr. Levis was born and grew up in the North End, where he worked part time in a butcher shop to help his family. He graduated from Boston English High School in 1922 and from MIT in 1926 with a degree in civil engineering.

Mr. Levis learned the basics of fencing from his father. When he arrived at MIT, he was chosen captain of the fencing team and won three intercollegiate championships. He was adept in the use of saber and epee in fencing, but favored the foil.

After graduating, Mr.Levis joined the Freeport Marble and Tile Co. of Dorchester, founded by his father in the mid-1920s. He retired in 1985 as its principal owner and CEO.

Between 1927 and 1936, Mr. Levis won eight national foil titles and one three-weapon title of the Amateur Fencers League of America, now the US Fencing Association.

In the 1930s, Mr. Levis sent to Havana to compete in an exhibit match against gold-medal Olympian Ramon Fonst. While in Cuba, he met Yvonne Rodriguez. They married in 1939 in New York, where Mr. Levis was living at the time.

In 1937 he retired from competition, and two years later he took a job as fencing coach at MIT. Construction work was down during the Depression, and he needed another paying job to supplement his income from the tile company. He stayed at MIT for 10 years.

Mr. Levis missed fencing competition and in 1949, he applied for reinstatement of his amateur status. It wasn’t granted until 1954. On his first attempt at competing again, after a 17 year retirement, he came back and won his eighth and last national foil championship.

After Mr. Levis gave up fencing, he began competing in golf and ballroom dancing. About 20 years ago, Mr. Levis and his wife started lessons at the Dan Radler and Suzanne Hamby Ballroom Dance Studios in Watertown and Southborough.

Mr. Levis only stopped dancing a year ago, after his wife’s death. He leaves son Robert L. Levis of Miami, son Christopher J. Levis of West Roxbury and two grandchildren. Burial was in Mount Calvary Cemetery in Hyde Park.

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Dorchester Illustration of the Day no. 2070 Oriental Theatre organ

Dorchester Illustration of the Day no. 2070

Scan of illustration in “Wurlitzer Theatre Pipe Organ, opus 2131.” by Terry L. Hochmuth.  The organ was originally installed in the Oriental Theatre in Mattapan Square.  It is described as Three manuals, Nineteen ranks.

Located at 1601 Blue Hill Avenue in Mattapan Square, the Oriental Theatre building has become Capitol Electric Supply Co. The Oriental was one of the few and best “atmospheric” movie theatres in the area.

During the “golden” age of great movie houses, “atmospherics” were the ones with a strong romantic theme, such as an Egyptian theme, incorporating the features of lighting and architecture to create an illusion that the patrons were seated outdoors in an exotic locale. This effect was achieved by projecting images of stars and moving clouds onto a grey painted, seamless ceiling, using a brenograph, which is a special type of projection equipment designed expressly for this purpose. The use of projected images is the key element in an “atmospheric” theatre. When the lights would go down, the auditorium would seem to have no roof and the ceiling would light up like the night sky. This use of projected clouds and stars was quite innovative in the 1930s. Some theatres seemed to be Spanish Mediterranean villages; others were like walled medieval courtyards. The Grauman’s Chinese Theatre in Hollywood is probably the most well-known example or the Fox in Detroit or the Fox in Atlanta.

The Oriental in Mattapan also had a “Chinese” atmosphere. There were niches along the theatre side walls with oriental figures in them. The eyes lit up red when the house lights went down. Clouds crossed over above the audience, and the ceiling appeared to be blue velvet with stars shining. The interior of the theatre was moved some time ago to a theater somewhere on the South Shore, perhaps Canton.

The theatre opened in 1929 and closed in 1971 playing “Diamonds Are Forever.” Originally part of Jacob Lourie’s and Sam Pinanski’s NETOCO, then Paramount-Publix and M & P, closing as one of the last of the old American Theatres Corp. (ATC). It was intended to be built in Waltham, but ended up in Boston’s Mattapan neighborhood.

The theatre was designed by Boston architects Krokyn, Browne and Rosenstein, and the stadium-type auditorium was capable of seating 3000 patrons in an atmosphere faithfully re-creating such notable Chinese structures as the Street Gate of Tsinanfu and the facade of the Wan Shou Tsu Temple.

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Dorchester Illustration of the Day no. 2069 Baker Chocolate tin

Dorchester Illustration of the Day no. 2069

 

Baker Chocolate tin

Scan of Baker Chocolate tin, approximately 2 1/2 inches long, 1 3/4 inches wide and 3/8 inches high.  Possibly for tiny lozenges of chocolate.

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Dorchester Illustration of the Day no. 2068 Buses at Fields Corner

Dorchester Illustration of the Day no. 2068

 

Buses at Fields Corner, Dorchester, 1932

Scan of photograph owned by Frank Cheney of buses of the 700 Class Mack BT at Dorchester Garage Aug., 1932.  Photo has number 25.

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Dorchester Illustration of the Day no. 2067 Chisholm Funeral Chapel

Dorchester Illustration of the Day no. 2067

Chisholm Funeral Chapel fan. 10 Washington Street, Grove Hall.

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Dorchester Illustration of the Day no. 2066 William Bond

Dorchester Illustration of the Day no. 2066

William Cranch Bond left the public school at an early age and became an admirable workman.  At the age of fifteen (1804) he constructed a satisfactory shop chronometer, and at about the same time a quadrant, which was also a very serviceable instrument.  His attention was turned to astronomy by the remarkable total solar eclipse of 1806, when the sun was hidden for no less than five minutes.  The comet of 1811 was discovered inEurope, but with no knowledge of that discovery, Bond discovered it independently.  He loved science for itself, and cultivated it with a private passion–he had been observing the great comet of 1811 for months before his observations came to the knowledge of Professor Farrar of Harvard and Dr. Nathaniel Bowditch ofBoston.

Farrar and Bowditch, who were planning an observatory for Harvard, gave Bond the mission of making examinations of the building atGreenwichwhen they learned that he was planning a trip abroad in 1815.  In 1819 he married for his first wife his cousin Selina Cranch in Kingsbridge,Devonshire.  They had six children: William Cranch Bond Jr., Joseph Cranch, George Phillips, Richard Fifield, Elizabeth Lidstone, Selina Cranch.  After his wife’s death in 1831, William Cranch Bond married her elder sister Mary Roope Cranch, who left no children.

The first house that he owned was inDorchester.  The only parlor was sacrificed to science and converted into an observatory.  A huge granite block, some tons in weight, rose in the center of the room, and the ceiling was intersected by a meridian opening.  There were stone blocks in the gardens and neighboring fields as well for the tupport of instruments, meridian marks,etc.  Life was not easy, and he spent his evenings as a watchmaker to meet the current household expenses.  In 1838 when he received an appointment from the United States Government to cooperate with the exploring expedition of Com. Charles Wilkes, although his equipment was amply sufficient, he added new buildings and a new suite of instruments.  In a short time a new observatory was erected inDorchesterand was fully equipped for investigation of magnetic and meteorological elements.

Then in 1839 he reluctantly moved toCambridgeto take the position of Director of the Harvard College Observatory, which however afforded no salary until the year 1846.  Until then life continued much the same with Bond having to earn his living with jobs outside astronomy.  His sons helped out in the Observatory as they had in theDorchesterhome.  William Cranch Bond, Jr., died an untimely death in 1841, and his father was deprived of an able assistant.  George P. Bond helped his father and succeeded him as Director of the Observatory when Bond died in 1859.

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